TrueHeartWork | Gill Edwards
772
archive,tag,tag-gill-edwards,tag-772,ajax_fade,page_not_loaded,,select-child-theme-ver-1.0.0,select-theme-ver-3.1,wpb-js-composer js-comp-ver-4.12,vc_responsive
 

Gill Edwards Tag

boy 5

Boy In The Bubble

4639e6fdb584cd7b4c4b99f36d0e3ade

Climate change. Like a repetitive drum-roll, we’ve heard the apocalyptic refrain before. As ancient glaciers disappear, polar bears drown, rivers run dry and dust bowls fill deforested wastelands, impotent politicians sit around conference tables in expensive hotels, unwilling or unable to do what needs to be done.

Not everyone agrees that global warming, extreme weather, mass extinctions, or a shrinking ice caps are “bad” things. Seas filled with plastic and burning forests are commercial opportunities for big businesses.

The planetary archetypes reflect the imbalance and discord in our world. At the time of the 2004 Tsunami off the west coast of Sumatra, the devastating Hurricane Katrina in August 2005, and the Wenchuan Great Earthquake in May 2008, Eris and Jupiter were in tense aspects. Now, Eris is conjunct Uranus and in  opposition to Jupiter. Hurricane Irma hurtles up the west coast of Florida and bears down on the city of Tampa. These tense planetary aspects are magnified in global events. Some would suggest the retaliatory reaction of Nature as she destroys human settlements are reflected in the extreme weather of climate change. In our personal lives, there might be a sense of imbalance, discord, or an awareness of the extreme injustice in the world order as we resonate with these powerful energies.

MV5BMTY2NDg4NTI0Ml5BMl5BanBnXkFtZTgwODczNDQ1MDI@._V1_SY1000_SX1600_AL_This month (September 28th, 2017) is the last of the three Uranus-Jupiter oppositions (26th December 2016 and 2nd March 2017) and Eris protests angrily.

The archetypal symbolism of the outer planets carry a potent message for humanity if we take the time required to bring these energies into consciousness. The Uranian archetype relates to the rebel who overturns the status quo, it’s associated with creative intuition and innovation that ruptures the barrier of what is known, it’s a shock wave of Promethean energy that propels us towards freedom from those things that limit or restrict this need for change and liberation. So, when Uranus is in conversation with Jupiter, the planet of expansion and grandiosity, expect a restless, highly charged energy. We may experience those clichéd  “eureka” moments that break us open, alter our direction, or a paralysed neurosis, an immobilising overwhelm if we resist the call.

boy 10As “the wrath of nature” pounds America’s coastline, the alignment of planets in Virgo and Neptune and Chiron in compassionate Pisces, suggest there will be a healing in this ferocious release of energy—generosity of spirit, heartfelt outpouring of love and empathy, and practical measures to bring relief to the people and animals swept up in this catastrophe.

What can we do in the face of the hubris of  big business and governments? Like the Little Match Girl, we strike our flimsy matches: We add our protest to an Avaaz.org petition. We plant a tree, walk to work, sell the car, buy a bike, install solar panels and eat organic. We do what we can as concerned citizens, walking through the ethically “correct” minefield littered with plastic bags versus jute.

Perhaps we must question our motives. Be wary of a fear-based resonance that vibrates in the belief that the world is sick and dying, or a need to feel pure, worthy or good. Polarised thinking is tinder for the bonfires of war.  By staying stuck in the Pain Body, we are part of the problem. By projecting our disowned parts, our shadow onto governments, industrialists, or the dying polar bears, we cling to fear-based thinking.boy 9

Writes spiritual teacher Gill Edwards “if your vibrations hover around self-righteousness you are in fear-mode, so you tend to push against the negative, instead of reaching towards what is positive.”  Perhaps this is just another great evolutionary mass extinction?  Just part of the great cycle of death and re-birth? “Perhaps in the world’s destruction it would be possible at last to see how it was made,” writes author Cormac McCarthy.

boy 7If we use the potent archetypes of Eris, Uranus and Jupiter to expand our awareness; to do our mindful bit for each other and the planet, perhaps only then we will know that we are all part of the Whole. We’re all in this together. The birds, the bees, the great leviathans, the polar bearsand us, wearing our clumsy, hob-nailed boots, searching for Hope as she flies from Pandora’s gaping box. 

“These are the days of miracle and wonder and don’t cry baby, don’t cry, don’t cry…”

Paul Simon’s Boy In The Bubble.

Songwriters: SIMON, PAUL / MOTLHOHELOA, FORERE

 

0
0

The Boy In The Bubble

A straightjacket of hopelessness immobilised me this morning. In the inbox: A link to an article in the Irish Times by environmental commentator, John Gibbons.  One of the many  canary in the coal mine articles, one of the many voices raised in alarm at the rapid climate change that will certainly culminate in a new world.  John Gibbons quotes Professor Peter Wadhams of the Polar Ocean Physics Group stating that the Arctic summer sea ice will turn to slush in three to four years.

Like a repetitive drum-roll, we’ve heard the apocalyptic refrain before. As ancient glaciers disappear, polar bears drown, rivers run dry and dust bowls fill deforested wastelands, impotent politicians sit around conference tables in expensive hotels, unwilling or unable to do what  needs to be done. Not everyone agrees that global warming, extreme weather, mass extinctions, or a shrinking ice caps are “bad” things. Says John Gibbons, “one person’s global catastrophe is another’s commercial opportunity. Governments and energy companies, notably Shell, are busy jostling to be in position to loot the oil and minerals hidden beneath the region’s fast-disappearing ice. This is akin to setting your house on fire to keep yourself warm.”

So, like the Little Match Girl, we light our matches: We add our protest to an Avaaz.org petition. We plant a tree, walk to work, sell the car, buy a bike, install solar panels and eat organic. We do what we can as concerned citizens, walking through the ethically “correct” minefield littered with plastic bags versus jute.  Perhaps we must  question our motives. Be  wary of a fear-based resonance that vibrates in the belief that the world is sick and dying, or a need to feel pure, worthy or good. Polarised thinking is tinder for the bonfires of war.  By staying stuck in the Pain Body we are part of the problem. By projecting our disowned parts, our shadow onto governments, industrialists, Shell, or the dying polar bears, we cling to fear-based thinking. Writes spiritual teacher Gill Edwards “if your vibrations hover around self-righteousness you are in fear-mode, so you tend to push against the negative, instead of reaching towards what is positive.”  Perhaps this is just another great evolutionary mass extinction?  Just part of the great cycle of death and re-birth? “Perhaps in the world’s destruction it would be possible at last to see how it was made,” says writer Cormac McCarthy.

And yet, amidst all the thousands of scientific reports, government papers, dire warnings by climatologists, no-one even dares whisper the obvious: We are breeding like bacteria in a warm Petri dish. Now there are an estimated 7.042 billion people on this good earth, according to the United States Census Bureau. With projected growth rates, the  world population is expected to reach between 7.5 and 10.5 billion by 2050. Does it really have to be an extreme solution to an extreme problem? Does it have to be Sophie’s excruciating Choice:  Genocide or mass sterilisation? Then who must die and who must be sterilised? And who will make this dreadful decision?  “So I’ll continue to continue to pretend my life will never end, and flowers never bend with the rainfall,” sang Simon and Garfunkel prophetically. Perhaps like rabbits immobilised in the lights of the oncoming car, we do nothing.  Perhaps our only hope is our state of consciousness.

As we shift more into an energy that is coherent with our soul song, as we open our hearts to love, to compassion, to gratitude, we will expand our awareness; perhaps only then we will know that we are all part of the Whole. We’re all in this together. The birds, the bees, the great leviathans, the polar bears – and us, wearing our clumsy, hob-nailed boots.“Between the wish and the thing the world lies waiting” says writer Cormac McCarthy. “These are the days of miracle and wonder and don’t cry baby, don’t cry, don’t cry…”

Art by Pat Rawlings.

Paul Simon’s Boy In The Bubble.

John Gibbons is an environmental writer and commentator

Songwriters: SIMON, PAUL / MOTLHOHELOA, FORERE

These are the days of miracle and wonder
This is the long distance call
The way the camera follows us in slo-mo
The way we look to us all
The way we look to a distant constellation
That’s dying in a corner of the sky…

 

3
0

A Mirror Without A Face

I did not recognise her at first. An effigy. A wax-work-woman. Skin taut, lips swollen, blue eyes slanted like Tretchikoff’s Lady from Orient. “I’ve just  had it all lifted. And derma abrasion,” she mouthed through grotesquely swollen lips. “My 14-year-old son didn’t want to be seen with a wrinkly mummy!” A tight, unconvincing laugh came from the hollowness within. The sadism of the narcissist in her vain attempts at marble-like self preservation. A caricature of the eternally youthful Aphrodite, a middle-aged woman lost in a hall of mirrors. Like so many of us, unaware of the beauty of her true face.

We talk glibly about someone being “a narcissist.” We usually take that as meaning he or she is utterly self-absorbed, isolated in her own human subjectivity. For me, myths and fairy tales are repositories of wisdom. These age-old stories carry the unperturbed truths that ripple through our lives today. They teach us that nothing has changed, nothing is “trending”. And that all our neurosis is just a minute piece in the large tapestry of evolution and transformation. The story of Narcissus contains rich food for the hungry soul: Long long ago the concerned mother of an extremely beautiful young boy asked the blind prophet Tiresias “will he live to an old age?” to which wise Tiresias replied, “as long as he does not know himself.” So she hid all the mirrors in their home and Narcissus grew up to be extraordinarily handsome, loved and adored by all who met him. Because he had never seen his own face, he had to depend on the reactions of others to tell him how beautiful and desirable he was, so that he could feel confident.

A narcissist does not truly love herself. In her self-absorbed flaunting, in her exaggeration, her brash insistence on her individuality, she seems to want to stand apart in her desperate need to be seen, to be adored. Says Rilke, “though the reflection in the pool often swims before our eyes: know the image. Only in the dual realm do voices become eternal and mild.”   

We live in a narcissistic world. We shout, “See me!” from the illusive realm of social networking sites. They have a fluid, dreamy quality which is a powerful mirror for our own narcissism – what we present is often an illusion of success, beauty, happiness. In reality, we so often erect boundaries to our loving, hold back our giving. We present faces to the world that are mere masks, covering the  hollowness inside.

The story of the beautiful youth, Narcissus, is a tale of self-absorption, spurned lovers, arid intellectualism without conversation with the moist wetness of our soul. The 2010 documentary, Catfish, depicts the same age-old allegory of deception and artifice that covers the painful void of self-love and stunted life force. The film portrays a romantic relationship between Ariel and Angela who “click” on Face book.

Like so many of us, Angela and Ariel feel the pain of narcissistic wounding and as they dismantle the artifice they have set up and maintained with such dedication, they discover that by failing in fantasy, they have recognised themselves. The documentary reveals the “faces” we present, the pretty plumage we display, so that we may see ourselves reflected in the mirror of approval. We are mesmerized by what we see, yet the self-love and self-acceptance we crave cannot be found outside ourselves. It lies cradled in an introverted place. The process of trans-formation can begin only when we know ourselves, when we ground ourselves in humility. As the desirable “I” crumbles and we are consumed by the fire of authentic self-love, we melt the wax work image and allow our soul to soar out of rigid self-absorption. As Angela and Ariel unmask and begin to know themselves, they, like Narcissus, realise that they have become stuck, on the familiar images – the surface identity, the isolated face we present to the world. They discover that beneath the impenetrable  membrane of narcissism, lives a deep soul in its luminous unfolding, in its infinite potential.

John Bradshaw writes, “Adult children, having long ago buried their authentic selves and lost their sense of I AM ness, cannot give themselves to their partners because they don’t have a self to give.,”  We are conditioned, admonished “not to get big headed”, or “ahead of ourselves”. We are asked “who do we think we are?” Exiled from ourselves, we present our smiling faces, our happy lives to the world, and no-one ever knows the depth of our aloneness and our suffering. “We mistake so much for love – neediness, dependence, mere familiarity. And in reaching out for love, we vanish into projections of who we should be, and how our lives should appear. One day, we wake to face a stranger in the looking-glass – and know that we abandoned ourselves long ago. The before it is too late, we must find our way home – and learn the true meaning of Love” says Gill Edwards.

Only by self-discovery, only by differentiating, only by seeing the otherness in this “dual realm” can we see our true self in the fragile beauty of the little flower of our soul whose roots are deep and whose beauty is grounded in the earth, in the eternal cycles of nature.

Artist: Chen Hongqing. Girl Looking into the Mirror

Royal Wood – A Mirror Without a Face

I keep on running from the buildings tall
The buildings tall surround
Like in a circus oh a circus tent
A circus tent I’m a clown

What good’s a mirror without a face
Without a face

 

 

4
0